
audiobook
by H. Sutherland (Henry Sutherland) Edwards
HISTORY OF T H E O P E R A,
HISTORY OF THE OPERA. - CHAPTER I. PREFACE, PRELUDE, PROLOGUE, INTRODUCTION, OVERTURE, ETC.—THE ORIGIN OF THE OPERA IN ITALY, AND ITS INTRODUCTION INTO GERMANY.—ITS HISTORY IN EUROPE; DIVISION OF THE SUBJECT.
CHAPTER II. INTRODUCTION OF THE OPERA INTO FRANCE AND ENGLAND.
CHAPTER III. ON THE NATURE OF THE OPERA, AND ITS MERITS AS COMPARED WITH OTHER FORMS OF THE DRAMA.
CHAPTER IV. INTRODUCTION AND PROGRESS OF THE BALLET.
CHAPTER V. INTRODUCTION OF ITALIAN OPERA INTO ENGLAND.
CHAPTER VI. THE ITALIAN OPERA UNDER HANDEL.
CHAPTER VII. GENERAL VIEW OF THE OPERA IN EUROPE IN THE EIGHTEENTH CENTURY UNTIL THE APPEARANCE OF GLUCK.
CHAPTER VIII. FRENCH OPERA FROM LULLI TO THE DEATH OF RAMEAU.
CHAPTER IX. ROUSSEAU AS A CRITIC AND AS A COMPOSER OF MUSIC.
From the vaulted chapels of 15th‑century Italy to modern European stages, this volume maps the birth and growth of opera. It follows early experiments—sacred mysteries sung instead of spoken drama and the first secular tale of Orpheus’s descent—and tracks the spread to Germany, France and England. Interwoven are anecdotes about the composers, singers and impresarios who shaped each era, giving readers a sense of the personalities behind the music. The narrative balances scholarly insight with a readable style that makes the evolution of opera feel immediate and alive.
The author shows how opera became a total artwork, where music, poetry, scenery and dance blend into a single spectacle. Chapters trace the rise of Italian opera in England, Handel’s adaptations, the Gluck‑Piccinni rivalry in Paris, and ballet’s growing partnership with song. Along the way, stories reveal flamboyant patrons, the technical wizardry of set designers, and witty criticisms from figures like Rousseau. Readers finish with a clear picture of how the genre reached its 19th‑century form, ready for further listening.
Full title
History of the Opera from its Origin in Italy to the present Time With Anecdotes of the Most Celebrated Composers and Vocalists of Europe With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Language
en
Duration
~15 hours (920K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Release date
2012-07-08
Rights
Public domain in the USA.

1828–1906
A restless Victorian man of letters, he moved easily between journalism, travel writing, criticism, and fiction. His work drew on firsthand reporting from Europe and Russia, giving his books a worldly, observant feel.
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