Foxglove Manor: A Novel, Volume 2 (of 3)

audiobook

Foxglove Manor: A Novel, Volume 2 (of 3)

by Robert Williams Buchanan

EN·~3 hours·16 chapters

Chapters

16 total

FOXGLOVE MANOR - A Novel - By Robert W. Buchanan - In Three Volumes, Vol. II. - London Chatto And Windos, Piccadilly 1884

0:07

FOXGLOVE MANOR.

0:01

CHAPTER XIV. BAPTISTO STAYS AT HOME.

19:37

CHAPTER XV. CONJURATION.

4:54

CHAPTER XVI. AT THE OPERA.

10:50

CHAPTER XVII. WALTER HETHERINGTON.

12:36

CHAPTER XVIII. CHURCH BELLS—AND A DISCORD.

15:33

CHAPTER XIX. HE IS BUT A LANDSCAPE PAINTER

16:18

CHAPTER XX. IN THE GLOAMING.

16:30

CHAPTER XXI. IN THE VICARAGE PARLOUR.

17:57

Description

Haldane is poised to leave Foxglove Manor for London, but his loyal servant Baptisto suddenly insists on staying behind, citing an inexplicable vertigo. The master, amused yet puzzled, suspects the request hides deeper motives tied to the widow of the lodge‑keeper, with whom Baptisto has been seen spending time.

Ellen, Haldane’s wife, reacts with equal alarm, fearing the Spaniard’s presence is a living reminder of a dark episode from his past in Spain. She reminds her husband of the whispered rumors of a duel‑turned‑murder, insisting that Baptisto be taken with them or she will not remain at the house.

The conversation turns tense as Haldane tries to reconcile his servant’s stubbornness with Ellen’s dread, hinting at old grudges and unspoken secrets. Their exchange sets the stage for a fraught journey, where loyalty, fear, and past sins begin to surface.

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Details

Language

en

Duration

~3 hours (183K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Widger from page images generously provided by the Internet Archive

Release date

Mar 12, 2015

Rights

Public domain in the USA.

About the author

Robert Williams Buchanan

Robert Williams Buchanan

1841–1901

A prolific Victorian writer, he moved easily between poetry, novels, and the stage, and is still remembered for the sharp literary quarrels that kept his name in public view. His work often mixed feeling, social observation, and a taste for drama.

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