
FOOTLIGHTS
THE CURTAIN RISES
FOOTLIGHTS - SATIRE
FOOTLIGHTS - CHAPTER I
MADAME PEACOCK - CHARACTER DRAMA
MADAME PEACOCK - CHAPTER I
GREASE-PAINT - REALISM
GREASE-PAINT - CHAPTER I
THE BACK DROP - DRAMA
THE BACK DROP - CHAPTER I
Step into the warm glow of a small‑town theater, where the curtain’s rise promises a fleeting world of dreams and comedy. The author paints the backstage as a living organism—creaking boards, mingled odors, and a bustling crew of hardened performers—all caught in the delicate dance between audience and actor. With a satirical eye, the narrative explores how the magic of the footlights can turn both spectators and players into mirrors of each other.
At the heart of it all is Elizabeth Parsons, a young actress whose green‑walled dressing room becomes a sanctuary for tears and stubborn ambition. Through her eyes we feel the cold drafts, the smell of tobacco, and the relentless grind of rehearsals that leave her questioning her place on the stage. Yet the humor of the troupe’s rough camaraderie and their Broadway‑dreaming hopes keep the story bright even as Elizabeth wrestles with self‑doubt.
Language
en
Duration
~7 hours (443K characters)
Publisher of text edition
Project Gutenberg
Credits
Tim Lindell, David Wilson, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org)
Release date
Dec 18, 2019
Rights
Public domain in the USA.

1889–1954
A sharp, versatile writer who moved easily between journalism, Broadway, novels, and early Hollywood, she built a career across several of the liveliest storytelling worlds of the early 20th century. Her work reached readers, theater audiences, and moviegoers alike.
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