
FLORA ADAIR;
FLORA ADAIR.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
Set amid the sun‑drenched streets of Rome in the early 1860s, the story opens in a quiet drawing‑room that looks out onto the bustling Corso. Here we meet a dignified, grieving mother whose life has been marked by loss and self‑sacrifice, and her only remaining child, Flora Adair. Flora is painted with a meticulous physical description that hints at an unremarkable beauty, yet her sharp mind and restless spirit set her apart. She carries a quiet melancholy, feeling the weight of idle days and longing for a deeper, more intense happiness.
Flora’s world is framed by genteel society, leisurely croquet matches, and the steady rhythm of family obligations. Though she appears aloof, the narrative hints at a yearning for something beyond the superficial expectations of her class. As she steps out of her mother’s shadow and joins a small circle of friends, the reader senses that a subtle awakening—perhaps through an unexpected connection—may soon challenge her carefully built indifference.
Language
en
Duration
~6 hours (377K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Petra A, Dianna Adair and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2013-08-18
Rights
Public domain in the USA.
An Irish novelist of the Victorian era, this little-known writer turned family history, religion, and social pressure into dramatic fiction. Her surviving novels open a window onto 19th-century Irish life and the tastes of the period.
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