
FIRST THE BLADE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
A lively, self‑aware voice invites you into a cozy room lit by a flickering fire, where the narrator pauses to reflect on the hardships of post‑war life and the odd joy of crafting a tale. The humor is immediate, with witty asides about zeppelins, electricity, and the stubborn ink of a fountain pen, setting a tone that feels both intimate and conspiratorial. This opening establishes a world that balances the lingering shadows of recent conflict with the bright possibility of new stories, promising a reading experience that feels like a warm conversation with an old friend.
Into this setting emerge the two protagonists: the earnest, somewhat idealistic Justin and the enigmatic Laura Valentine, whose soft, shining eyes and restless hands hint at both mystery and magnetism. Their early interactions are framed as a “comedy of growth,” where misunderstandings, playful banter, and the awkwardness of budding love become the engine of both humor and self‑discovery. Listeners can expect a charming exploration of how two very different people learn to see themselves reflected in each other, all while the narrator’s witty commentary keeps the journey light, thoughtful, and delightfully unpredictable.
Language
en
Duration
~9 hours (547K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by ellinora, MFR, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Oct 19, 2020
Rights
Public domain in the USA.

1888–1965
A sharp, versatile British writer, she moved easily between novels, plays, essays, and screenwriting, building a career that stretched from the First World War into the postwar film era. Her work often paired wit and theatrical flair with a close eye for women’s lives and social pressures.
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