
A BILL OF DIVORCEMENT
THE PEOPLE OF THE PLAY
ACT I.
ACT II.
ACT III.
On a frosty Christmas morning, the Fairfield family gathers in the modest hall of a country house, the breakfast table already bearing signs of rushed preparation. Aunt Hester, the stern matriarch, watches her niece Margaret apologize for her teenage daughter’s late return after an evening of dancing. Their sharp exchange reveals a clash of values—Hester’s insistence on propriety versus Margaret’s more carefree, modern outlook. The empty third chair at the table hints at the missing guidance the young girl needs.
The drama unfolds against the backdrop of recent divorce‑law reforms that have turned private relationships into public scrutiny. Characters speak with a mix of affection and accusation, exposing anxieties about marriage, inheritance, and parental authority. Margaret feels the weight of family expectations while Hester clings to traditional duty. As the day moves forward, the festive calm promises to give way to deeper confrontations, inviting listeners into an intimate portrait of a family at a crossroads.
Language
en
Duration
~1 hours (100K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif, ellinora and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2020-07-19
Rights
Public domain in the USA.

1888–1965
A sharp, versatile British writer who moved with ease from novels to the stage and then to film, she was one of the most successful women writers of her era. Writing as Clemence Dane, Winifred Ashton is still remembered for bold fiction like Regiment of Women and for an Academy Award-winning screen career.
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