
The work opens with a sweeping portrait of how the triumph of Christianity reshaped the visual and literary landscape of the ancient world. It describes the collapse of pagan temples and statues, the silence that fell over mythic nymphs and deities, and the way early Christian sensibilities relegated art to the margins of monasteries. The narrative paints the Middle Ages as a long, dark winter in which artistic expression was largely stifled, reduced to the utilitarian demands of faith and warfare.
From that gloom emerges a vibrant account of the Renaissance awakening. It follows the surge of freedom that sparked new poetry, philosophy, and painting, introducing readers to figures such as Dante, Petrarch, Boccaccio, and the Florentine circle around Lorenzo de’ Medici, as well as pioneering artists like Giotto and Cimabue. By weaving together anecdotes, critical insight, and vivid description, the author shows how art, literature, and music reclaimed their brilliance after centuries of suppression.
Language
en
Duration
~7 hours (438K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2017-05-23
Rights
Public domain in the USA.

1819–1895
An American sculptor, poet, and critic who left the law for art, he became one of the best-known expatriate artists in 19th-century Rome. He is especially remembered for marble works like Cleopatra and for the mournful Angel of Grief created late in his life.
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