
audiobook
| Transcriber’s note: | A few typographical errors have been corrected. They appear in the text like this, and the explanation will appear when the mouse pointer is moved over the marked passage. Sections in Greek will yield a transliteration when the pointer is moved over them, and words using diacritic characters in the Latin Extended Additional block, which may not display in some fonts or browsers, will display an unaccented version. Links to other EB articles: Links to articles residing in other EB volumes will be made available when the respective volumes are introduced online. |
This volume offers a compact yet thorough tour through a remarkable range of subjects, beginning with the science of human and animal anatomy and extending to the lives of emperors, legal concepts, and cultural traditions. The opening article on joints explains the fundamentals of arthrology, describing how bones and cartilage connect, from the immovable sutures of the skull to the highly mobile hinges of the knee, complete with clear diagrams that bring the structures to life.
Beyond the medical entries, the book continues alphabetically, presenting concise, well‑researched articles on everything from engineering joints and geological formations to historic figures such as Justinian I. Each entry balances scholarly detail with accessible language, making it an ideal companion for curious listeners who enjoy dipping into knowledge across the arts, sciences, and history without the pressure of a single narrative thread.
Full title
Encyclopaedia Britannica, 11th Edition, "Joints" to "Justinian I." Volume 15, Slice 5 Volume 15, Slice 5
Language
en
Duration
~18 hours (1075K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Marius Masi, Don Kretz and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2012-10-06
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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