
audiobook
by Henrik Ibsen
DE COMEDIE DER LIEFDE - TOONEELSPEL IN VERZEN IN DRIE BEDRIJVEN
BRAND - DRAMATISCH GEDICHT IN VIJF BEDRIJVEN
PEER GYNT - DRAMATISCH GEDICHT IN VIJF BEDRIJVEN
Inhoudsopgave
Colofon - Beschikbaarheid
A breezy summer evening unfolds on the veranda of a widowed civil servant’s villa, where the fjord glimmers in the distance and a garden bursts with bloom. Young poet Valk launches a lyrical toast, his verses spilling over the punch bowl as guests—students, a theologian, a merchant, and a nervous clerk— mingle under the fading light. The scene brims with the hum of conversation, teasing the gentle absurdities of courtship and artistic ambition.
Amid the mingling voices, old flirtations and fresh infatuations surface: Valk’s romantic idealism clashes with Stuiver’s pragmatic engagement, while the ever‑observant Miss Ekster offers sharp, witty commentary. The characters trade barbs about poetry, love, and the promise of summer, their banter echoing the play’s title and setting a tone that is both light‑hearted and subtly reflective. Listeners are invited to savor the rhythm of verse‑filled dialogue and the nuanced dance of hearts in a world where every gesture may become a line of poetry.
The first act promises a lively tableau of social quirks and tender misunderstandings, laying a foundation for deeper entanglements without revealing how they will unravel. The blend of lyrical monologues and witty repartee makes this early portion a charming entry point into a comedy that celebrates love’s many forms while gently poking fun at the conventions that surround it.
Language
nl
Duration
~10 hours (617K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at https://www.pgdp.net/ for Project Gutenberg.
Release date
2020-10-04
Rights
Public domain in the USA.

1828–1906
One of the great dramatists of the 19th century, this Norwegian writer helped reshape theater with plays that brought ordinary lives, moral conflict, and social pressure to the center of the stage. His work still feels strikingly modern, especially in classics like A Doll’s House, Ghosts, and Hedda Gabler.
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by Henrik Ibsen

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