
ATTO UNICO.
In a modest, dimly lit room that feels both intimate and cramped, a small household goes about its daily chores while a storm gathers outside. A gentle clatter of linens, a flickering oil lamp, and the quiet hiss of a rustic hearth set the stage for a conversation that quickly turns from routine to charged. Margherita, a young woman with a restless spirit, and Fabrino, a man torn between desire and propriety, speak in a rhythm that reveals years of unspoken tension.
Their dialogue weaves doubts about love, fear of social repercussions, and an odd village superstition involving a three‑horned bull and a hunchbacked corpse that only a local priest, Don Pietro, seems able to interpret. As they grapple with the prospect of parting ways, the characters expose their vulnerabilities while hinting at larger forces—family expectations, hidden resentments, and the looming darkness beyond the window. Listeners are drawn into a portrait of yearning and restraint that feels both timeless and rooted in the particularities of a 19th‑century Italian setting.
Language
it
Duration
~46 minutes (44K characters)
Publisher of text edition
Project Gutenberg
Release date
Dec 4, 2011
Rights
Public domain in the USA.
Subjects

1861–1943
A leading voice of Italian theater in the late 19th and early 20th centuries, this Neapolitan writer moved easily between drama, journalism, and early screenwriting. His work reached the stage and the silent screen, and his literary reputation was strong enough to earn multiple Nobel Prize nominations.
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