
audiobook
by Johann Christoph Pohl, Johann Gottlob Hertel
DISSERTATIONEM - DE - HOMINIBUS - POST MORTEM - SANGVISVGIS - VVLGO SIC DICTIS - VAMPYREN, - AVCTORITATE INCLYTI PHILOSOPHORVM ORDINIS, - PVBLICO ERVDITORVM EXAMINI - DIE XXX. AVG. AN. M. DCC XXXII. - SUBMITTENT - M. IO. CHRISTOPHORVS POHLIVS, - LIGNICENS. SILESIVS. - ET - IO. GOTTLOB HERTELIVS, - PHILOS. ET MED. STUD.
LIPSIAE, - LITERIS IO. CHRISTIANI LANGENHEMII.
CONSPECTVS DISSERTATIONIS.
A scholarly treatise from the early eighteenth century, this work gathers the insights of leading philosophers and physicians of the time to scrutinize the mysterious phenomenon popularly called “vampires.” Presented as a formal dissertation, it frames the inquiry as a search for truth amidst a sea of superstition, drawing on the authority of eminent academics who once lectured at prestigious European universities. The opening sections lay out the difficulty of discerning fact from folklore, setting a tone of rigorous, interdisciplinary investigation.
The author then guides the reader through a systematic analysis of alleged post‑mortem blood flow, the physical signs historically linked to the undead, and the medical explanations that might account for them. By juxtaposing natural causes with prevailing myths, the text invites listeners to consider how early modern science wrestled with fear, rumor, and the limits of empirical knowledge. The result is a fascinating glimpse into the intellectual climate that shaped early vampire lore.
Language
la
Duration
~38 minutes (37K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carolus Raeticus
Release date
Aug 13, 2015
Rights
Public domain in the USA.
1705–1780
A Leipzig physician of the 18th century, he is now best remembered for a curious Latin dissertation on so-called vampires and postmortem folklore. His surviving works sit at the crossroads of medicine, superstition, and early modern scholarship.
View all booksBest known today as one of J. S. Bach’s pupils at the Thomasschule in Leipzig, he is a shadowy but intriguing figure from the world around Bach. The surviving record is slim, yet it places him squarely inside one of the most famous musical and scholarly circles of 18th-century Germany.
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