Die Kugel Eine Philosophie in Versen

audiobook

Die Kugel Eine Philosophie in Versen

by Otto Zur Linde

DE·~31 minutes·15 chapters

Chapters

15 total
1

DIE KUGEL - Eine Philosophie in Versen - von - OTTO ZUR LINDE - CHARONVERLAG - Gr. Lichterfelde 1909.

0:10
2

I.

1:26
3

Kugelverse. – Erstes Körbchen.

1:39
4

Kugelverse. – Zweites Körbchen.

1:06
5

Kugelverse. – Drittes Körbchen.

0:39
6

Kugelverse. – Viertes Körbchen.

0:50
7

Kugelverse. – Fünftes Körbchen.

0:59
8

Kugelverse. – Sechstes Körbchen.

0:24
9

Kugelverse. – Siebentes Körbchen.

0:24
10

Emballage zurück.

0:23

Description

A daring collection of verse‑driven meditations, this work turns the humble sphere into a gateway for probing the deepest questions of being. From ancient whispers about love that circles the world to playful paradoxes that blend mathematics with mysticism, the poet sketches a universe where points, circles and balls converge into a single, ever‑turning whole. Each stanza flickers between lyrical wonder and sharp observation, inviting listeners to trace the hidden geometry of mind, ego and the cosmos.

The language is as lively as it is contemplative, weaving riddles, jokes and philosophical jabs into a rhythm that feels both scholarly and mischievous. By juxtaposing the certainty of numbers with the fluidity of feeling, the verses coax us to reconsider how we count, see and connect. It’s a cerebral yet accessible journey that rewards repeated listening, leaving the mind humming with the gentle echo of the sphere’s endless round.

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Details

Full title

Die Kugel Eine Philosophie in Versen Eine Philosophie in Versen

Language

de

Duration

~31 minutes (30K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Norbert H. Langkau, Evelyn Kawrykow and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-04-03

Rights

Public domain in the USA.

About the author

Otto Zur Linde

Otto Zur Linde

1873–1938

A German writer, poet, journalist, and translator linked to the early 20th-century literary magazine Charon, he wrote with a strongly philosophical, anti-naturalist spirit. His work moved between poetry, essays, and criticism, shaped in part by Nietzsche and by debates about what modern literature could be.

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