
PRÉFACE
QUINZE JOURS A VIENNE (Printemps 1923)
EN HONGRIE
CINQ JOURS A BERLIN (Été 1923)
SUÈDE OU LE POURQUOI D’UNE MÉLANCOLIE
TABLE DES MATIÈRES
Through a lyrical meditation on travel, this work invites listeners to follow a restless mind that trades the comforts of home for the uncertainty of the road. The narrator treats each departure as a small rebellion against habit, suggesting that the act of moving reshapes the traveler as much as any destination reshapes the map. Early chapters blend personal anecdotes with philosophical musings, turning the simple act of boarding a train into a gateway to renewed wonder.
As the journey sweeps across contemporary Europe, the speaker encounters a mosaic of peoples whose customs seem alien yet echo familiar human patterns. By probing conversations in cafés, markets, and quiet stations, the narrative uncovers a paradox: outward difference masks an underlying commonality that challenges the notion of a fixed self. Listeners are left with a gentle reminder that every displacement, however brief, re‑orients our inner compass and keeps curiosity alive.
Language
fr
Duration
~2 hours (146K characters)
Release date
2024-07-28
Rights
Public domain in the USA.

1884–1951
A Swiss novelist and essayist with a strong feel for Geneva’s cultural life, he helped shape literary debate between the world wars. His work moves between fiction, biography, criticism, and reflections on Europe and the idea of Geneva itself.
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