
audiobook
by Arthur L. (Arthur Livermore) Meserve
DEATH-DEALER, THE SHAWNEE SCOURGE; OR, THE WIZARD OF THE CLIFFS.
DEATH-DEALER, THE SHAWNEE SCOURGE; OR, THE WIZARD OF THE CLIFFS - CHAPTER I. THE DEATH-DEALER.
CHAPTER II. THE WIZARD’S DEN.
CHAPTER III. THE CABIN CONFERENCE.
CHAPTER IV. FOUR AGAINST FORTY.
CHAPTER V. OUT INTO THE DARKNESS.
CHAPTER VI. THE MIDNIGHT AMBUSH.
CHAPTER VII. THE MAIDEN’S DOOM.
CHAPTER VIII. THE TRAIL DIVIDED.
CHAPTER IX. THE DEATH-DEALER AT WORK.
On a sweltering summer day along the banks of the Scioto, the forest offers the only refuge from the heat. Amid the leaf‑laden shadows lies a hunched figure, half man, half beast, draped in animal skins and tangled reddish hair. His sharp, piercing eyes scan the surroundings as he readjusts a rifle that seems almost as tall as he is. The scout, known to the settlers as the Death‑Dealer, embodies the frontier itself.
Rumors among the Shawnee speak of a hunter who has taken more of their people than any other, yet his killings are driven not by bloodlust but by a grim sense of duty to the settlements. He moves through the wilderness with uncanny tracking ability, following a scent as if it were a living thread, and every failed plot against him only deepens his legend. Beneath the feral exterior lies a man who once bore the name Richard Higgins, a past now obscured by the forest’s silence. As evening cools the air, he readies his rifle, poised for the next hunt that will test his skill and conscience.
Language
en
Duration
~3 hours (177K characters)
Series
Beadle's Pocket Novels No. 81
Publisher of text edition
Project Gutenberg
Original publisher
United States: Beadle and Adams, 1876,copyright 1884.
Credits
David Edwards, Stephen Hutcheson, and the Online Distributed Proofreading Team at https://www.pgdp.net (Northern Illinois University Digital Library)
Release date
2021-09-02
Rights
Public domain in the USA.

1838–1896
A prolific 19th-century dime-novel writer, he turned out fast-moving frontier and adventure fiction for popular publishers of his day. His surviving work still carries the flavor of the era’s weekly story papers: dramatic, rugged, and built to keep readers turning pages.
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