
CUTIE A Warm Mamma
PREFACE
FIRST CANTO
FIRST CANTO
CHAPTER II
CHAPTER II
THIRD STANZA
THIRD STANZA
FOURTH MOVEMENT
FOURTH MOVEMENT
Set against the boisterous backdrop of the roaring twenties, the story skewers the self‑appointed guardians of morality who rush to censor any hint of sexual candor. Through witty dialogue and razor‑sharp observations, the narrator exposes how these puritanical zealots turn even the lightest wink into a scandalous offense. The satire unfolds in the bustling pages of a fictional literary tabloid, where the line between high art and cheap entertainment is deliberately blurred.
At the heart of the chaos is Herman Pupick, a miserly, glass‑eyed moralist whose rigid convictions are constantly tested by the irrepressible Cutie—a clever, unapologetically sensual woman who delights in turning propriety on its head. Their cat‑and‑mouse encounters spiral into a series of comic misunderstandings that lampoon the absurdities of self‑righteousness. As Pupick scrambles to protect his reputation, Cutie’s playful defiance lays bare the fragile foundations of the censor’s authority. The result is a lively, irreverent portrait of a society caught between repression and desire.
Language
en
Duration
~43 minutes (42K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: Boar's Head Books, 1924,reprint 1952.
Credits
Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2022-03-21
Rights
Public domain in the USA.

1894–1964
A fast-talking journalist turned novelist, playwright, and Hollywood screenwriter, he helped shape the sharp, urban voice of 20th-century American storytelling. He is especially remembered for co-writing The Front Page and for a screen career that included classic crime and suspense films.
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1893–1954
A novelist and poet of the Jazz Age, this fiercely bohemian writer was once a vivid part of Chicago and New York literary life. His work mixed modernist edge, social satire, and a restless interest in city life.
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