
BABY
NIGHTMARE AND SOMETHING DELICATE
REGARDING AN AMERICAN VILLAGE
THREE PORTRAITS
DEFINITIONS
TO A CORPULENT SINGER
TOPSY-TURVY
REVILE THE ACROBAT
COMPULSORY TASKS
RHYMED CONVERSATION WITH MONEY
A lyrical labyrinth opens with a cascade of blue‑eyed reveries, inviting listeners into a world where language itself trembles under the weight of existence. The narrator’s voice weaves confession and critique, turning ordinary perception into a vivid battlefield of light, darkness, and the “monster of life” that circles ever‑present. Poetic fragments pulse with an urgency that feels both intimate and universal, setting up a restless yearning for clarity amidst fractured self‑knowledge.
A solitary “lady” becomes the focal point of a larger, oppressive chorus that seeks to shape her reality with “bones of dead men’s thoughts” and relentless sensory assaults. As she repeats the mantra “life is a nightmare and something delicate,” the text unfurls a tension between fragile beauty and inevitable ruin, urging the listener to contemplate how words can both wound and redeem. The early act sketches a stark confrontation between personal agency and societal expectation, promising a hypnotic exploration of the mind’s edge.
Throughout, the prose sings with striking metaphor—wolves of paradox, night as a forgiving Blake, and a relentless tide of adjectives—that draws the ear into a hypnotic, almost ritualistic meditation. Listeners will be carried through moments of stark clarity and bewildering surrealism, all while the narrative hints at an unfolding struggle that remains as unsettling as it is beautiful.
Language
en
Duration
~1 hours (69K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Tim Lindell, David E. Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
Release date
2019-08-03
Rights
Public domain in the USA.

1893–1954
A novelist and poet of the Jazz Age, this fiercely bohemian writer was once a vivid part of Chicago and New York literary life. His work mixed modernist edge, social satire, and a restless interest in city life.
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