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CURRENT HISTORY - A Monthly Magazine of The New York Times
CURRENT HISTORY CHRONICLED - \[Period Ended April 19, 1918.\]
THE BATTLE OF PICARDY - Military Review of the Greatest Battle in History From March 21 to April 17, 1918
The British Reverses and Their Causes - By a Military Observer
Four Epic Weeks of Carnage - By Philip Gibbs
How General Carey Saved Amiens - A Pivotal Episode in the Great Battle
Battle Viewed From the French Front - By G. H. Perris
Caring for Thousands of Refugees
Progress of the War - Recording Campaigns on All Fronts and Collateral Events From March 18, 1918, Up to and Including April 17, 1918
Step into a turbulent spring of 1918, when the world was gripped by both battlefield fury and diplomatic upheaval. This issue opens with a striking portrait of President Wilson taken at the White House and a commanding image of General Ferdinand Foch, the newly appointed Allied supreme commander. Inside, reporters and experts dissect the brutal Battle of Picardy, the British setbacks, and the daring counter‑offensive at Amiens, offering vivid firsthand accounts that bring the front lines to life.
Beyond the trenches, the magazine surveys the wider war effort: the U‑boat menace, the Red Cross’s massive relief work, and the political tremors in Russia and Austria‑Hungary. Illustrated with rotogravure plates of camps, naval scenes, and wartime propaganda, the pages convey the urgency and hope of a world striving for democracy. Listeners will hear a concise, contemporary chronicle that captures the intensity and complexity of a pivotal month in history.
Full title
Current History: A Monthly Magazine of the New York Times, May 1918 Vol. VIII, Part I, No. 2 Vol. VIII, Part I, No. 2
Language
en
Duration
~14 hours (809K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Moti Ben-Ari and the Online Distributed Proofreading Team at https://www.pgdp.net.
Release date
2012-02-02
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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