Cubists and Post-Impressionism

First published in 1914, this study offers a lively snapshot of the artistic upheaval that followed the 1913 International Exhibition of Modern Art. The author guides listeners through the emergence of Post‑Impressionism and the daring break of Cubism, explaining the ideas behind movements such as the Fauves, Futurism, and the early theories of color as music. By weaving contemporary criticism with personal observation, the text captures the excitement and controversy that animated the American art scene at the time.

Interspersed with twenty‑three full‑color reproductions and dozens of half‑tone illustrations, the book lets listeners picture works by Cézanne, Matisse, Picasso, Kandinsky and many others as they are discussed. Short essays on topics like “What is Cubism?” and “The Theory of Cubism” provide clear, accessible explanations without assuming prior knowledge. Appendices list exhibitions and further reading, making the volume both a guide for newcomers and a reference for seasoned art lovers.