Coasting Bohemia

audiobook

Coasting Bohemia

by J. Comyns (Joseph Comyns) Carr

EN·~6 hours·18 chapters

Chapters

18 total
1

INTRODUCTORY NOTE

0:58
2

BOHEMIA PAST AND PRESENT

14:10
3

SOME MEMORIES OF MILLAIS

18:45
4

AT HOME WITH ALMA-TADEMA

20:47
5

WITH ROSSETTI IN CHEYNE WALK

18:46
6

EDWARD BURNE-JONES

44:22
7

JAMES M‘NEIL WHISTLER

16:13
8

THE ENGLISH SCHOOL OF PAINTING AT THE ROMAN EXHIBITION

44:39
9

WITH GEORGE MEREDITH ON BOX HILL

17:22
10

THE LEGEND OF PARSIFAL

19:52

Description

A lively collage of essays transports listeners back to the bustling world of late‑Victorian art and theatre. Written by a seasoned critic who first penned reviews while still a law student, the pieces blend personal recollections with sharp observations of painters such as Burne‑Jones, Millais and Whistler, and theatrical figures like Sir Henry Irving. The voice is candid and often humor‑tinged, offering snapshots of gallery openings, rehearsal rooms, and the informal gatherings that defined the era’s creative circles.

Beyond the anecdotes, the collection reflects on how the notion of “Bohemia” has shifted as society embraced art in new ways. The narrator debates the restless mantra that art must never repeat itself, suggesting that periods of quiet are as essential as bursts of innovation. Listeners will feel the texture of a bygone cultural landscape while hearing a thoughtful meditation on the ebb and flow of artistic life.

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Details

Language

en

Duration

~6 hours (361K characters)

Publisher of text edition

Project Gutenberg

Credits

David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2021-11-28

Rights

Public domain in the USA.

About the author

J. Comyns (Joseph Comyns) Carr

J. Comyns (Joseph Comyns) Carr

1849–1916

A lively force in late Victorian culture, he moved easily between art criticism, editing, and the stage. He is best remembered for championing the Pre-Raphaelites and for writing the libretto for the romantic opera The King’s Way—though his biggest theatrical success was King Arthur, created with Arthur Sullivan.

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