
PHILADELPHIA: - T. B. PETERSON & BROTHERS; - 306 CHESTNUT STREET.
CLAUDE'S CONFESSION. - BY ÉMILE ZOLA.
DEDICATION
TO MY FRIENDS, P. CÉZANNE AND J. B. BAILLE.
CLAUDE'S CONFESSION. - BY ÉMILE ZOLA. - AUTHOR Of "NANA," "L'ASSOMMOIR," "THE GIRL IN SCARLET," "HELENE," "POT-BOUILLE," "THERESE RAQUIN," "THE MYSTERIES OF MARSEILLES," "MAGDALEN FERAT," "A MAD LOVE: OR, THE ABBE AND HIS COURT," "THE MYSTERIES OF THE COURT OF LOUIS NAPOLEON," "LA BELLE LISA; OR, THE PARIS MARKET GIRLS," "ALBINE; OR, THE ABBE'S TEMPTATION."
CHAPTER I - A MANSARDE IN THE LATIN QUARTER
CHAPTER II - A POET'S LONGINGS
CHAPTER III - THE YOUNG HARVEST-GIRL
CHAPTER IV - TEMPTATION
CHAPTER V - PAQUERETTE
Claude is a restless student in Paris’s Latin Quarter, navigating poverty, ambition, and tangled relationships with Laurence, Marie, Jacques, and Pâquerette. Zola paints the energy of cafés, lectures, and the seductive lure of nightlife, capturing both the grit and the romantic yearning. The narrative unfolds through Claude’s letters, a confessional tone that feels immediate and raw.
As Claude battles temptation and desire, he experiences the intoxicating glamour of a public ball and a hopeful spring escape to the countryside, moments that shimmer with poetic beauty. Alongside his friends, he confronts the harsh realities of hunger, longing, and moral doubt, setting the stage for a crisis that will test his spirit. Listeners will be drawn into a vivid portrait of youthful excess and the quest for redemption, delivered in Zola’s stark, emotionally charged prose.
Language
en
Duration
~5 hours (319K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Dagny and Laura Natal Rodrigues at Free Literature (Images generously made available by Hathi Trust.)
Release date
2020-11-20
Rights
Public domain in the USA.

1840–1902
A fearless French novelist and journalist, he helped define literary naturalism with vivid, unflinching stories about ordinary lives. His work also made him a major public voice during the Dreyfus Affair, showing how literature and conscience could meet.
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by Émile Zola

by Émile Zola

by Émile Zola

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by Émile Zola

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by Émile Zola

by Émile Zola