Castara The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635

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Castara The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635

by William Habington

EN·~3 hours·1 chapter

Chapters

1 total

Transcriber's Note

3:44:04

Description

A richly layered work from the early seventeenth century, this collection opens with a personal dedication and a vivid portrait of the poet’s lineage, grounding the verses in the world of English gentry and its turbulent history. The first section presents a series of love poems that capture the intensity of courtship, the yearning of a secret admirer, and the delicate dance of affection between a gentleman and his beloved. Through elegant language and occasional dialect, the poet explores the emotions that drive young hearts toward hope and disappointment.

The middle part shifts to celebrate marital bliss, offering intimate verses that reflect the joys and challenges of a shared life. Later, the tone turns reverent, as the poet turns his attention to sacred themes, interweaving scripture with lyrical contemplation. Listeners will appreciate the seamless blend of personal sentiment, historical context, and spiritual reflection that makes this early modern masterpiece both timeless and deeply human.

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Full title

Castara The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635 The Third Edition of 1640; Edited and Collated with the Earlier Ones of 1634, 1635

Language

en

Duration

~3 hours (215K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Bryan Ness, Emmanuel Ackerman and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

Release date

Nov 26, 2014

Rights

Public domain in the USA.

About the author

WH

William Habington

1605–1654

A graceful 17th-century English poet, he is best remembered for writing about devoted, idealized love with unusual warmth and restraint. His work sits at the crossroads of personal feeling, Catholic faith, and the polished style of the Caroline age.

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