Browning's Heroines

audiobook

Browning's Heroines

by Ethel Colburn Mayne

EN·~6 hours·21 chapters

Chapters

21 total
1

BROWNING'S HEROINES - by ETHEL COLBURN MAYNE WITH FRONTISPIECE & DECORATIONS BY MAXWELL ARMFIELD - LONDON CHATTO & WINDUS 1913

0:08
2

PREFACE

5:30
3

PART I

0:00
4

BROWNING'S HEROINES

0:01
5

INTRODUCTORY

1:14:30
6

I. THE GIRL IN "COUNT GISMOND"

8:56
7

II. "PIPPA PASSES" - I. DAWN: PIPPA

18:05
8

III. MILDRED TRESHAM - IN "A BLOT IN THE 'SCUTCHEON"

16:05
9

IV. BALAUSTION - IN "BALAUSTION'S ADVENTURE" AND "ARISTOPHANES' APOLOGY"

37:49
10

V. POMPILIA - IN "THE RING AND THE BOOK"

52:36

Description

Ethel Colburn Mayne opens a lively conversation with Robert Browning’s women, asking what lies beyond the poet’s own portraits. She treats each heroine not as a static image but as a doorway into the shifting values of the age, drawing connections between the Victorian sensibility of the poems and the early‑twentieth‑century appetite for fresh interpretation. With a mixture of literary history, personal anecdote, and close reading, she sketches the restless spirits of figures like Pippa, Ottima and the “Last Duchess,” showing how they echo concerns of agency, desire and social restraint.

The essay moves through three themed sections—girlhood, the great lady and the lover—offering thoughtful commentary on how Browning’s dramatic techniques both reveal and conceal the inner lives of his female subjects. Mayne’s prose is bright and conversational, inviting listeners to hear familiar verses in a new light while appreciating the continuing relevance of Browning’s complex, often contradictory, portrayals of women.

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Details

Language

en

Duration

~6 hours (391K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Ted Garvin, Michael Zeug, Lisa Reigel, and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2007-04-28

Rights

Public domain in the USA.

About the author

Ethel Colburn Mayne

Ethel Colburn Mayne

d. 1941

An Irish writer of fiction, biography, criticism, and translation, she moved easily between imaginative storytelling and lively literary portraiture. Her work reached readers in Britain and beyond, and she also published under the pen name Frances E. Huntley.

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