
audiobook
Transcriber’s note
BOOKS AND THEIR MAKERS DURING THE MIDDLE AGES, Vol. II
PREFACE.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
The book paints a vivid picture of how the printing press reshaped the world of ideas from the collapse of Rome to the dawn of the modern era. It follows the rise of printer‑publishers who, for two centuries after Gutenberg, shouldered the massive task of reproducing Bibles, classical texts, and university legal treatises while authors struggled to sway political and ecclesiastical powers. By tracing the delicate dance between freedom of speech, state control, and church censorship, the work reveals how the very mechanics of bookmaking dictated what could be read aloud in a tavern or studied in a hall of learning.
Turning to the turbulent Reformation, the narrative shows how polemical pamphlets and fresh theological debates flooded the market, forcing presses to abandon the slow, lavish folios of earlier ages for quicker, more affordable formats. The author highlights the surprising dominance of reissued classics even as living writers began to claim a larger share of the page, offering listeners a nuanced look at the forces that forged a reading public and set the stage for modern publishing.
Language
en
Duration
~18 hours (1079K characters)
Publisher of text edition
Project Gutenberg
Original publisher
New York: G. P. Putnam's Sons, 1896.
Credits
Charlene Taylor, Eleni Christofaki and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2023-12-02
Rights
Public domain in the USA.

1844–1930
A longtime American publisher, Civil War veteran, and writer, he helped shape literary life in the United States through both his books and his leadership at G. P. Putnam's Sons. His work often blended a publisher's practical eye with a strong interest in history, public affairs, and authors' rights.
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