Blackwood's Edinburgh Magazine — Volume 56, No. 346, August, 1844

audiobook

Blackwood's Edinburgh Magazine — Volume 56, No. 346, August, 1844

by Various Authors

EN·~9 hours·19 chapters

Chapters

19 total

NO. CCCXLVI. AUGUST, 1844. VOL. LVI.

0:12

AFFGHANISTAN - ETCHED THOUGHTS BY THE ETCHING CLUB - A LOVE CHASE—IN PROSE - ANCIENT CANAL—THE NILE AND THE RED SEA - THE OLD SCOTTISH CAVALIER - TRADITIONS AND TALES OF UPPER LUSATIA. NO. III. THE DWARF'S WELL - SOME REMARKS ON SCHILLER'S MAID OF ORLEANS - THE STOLEN CHILD - M. GIRARDIN - LORD ELDON

0:38

AFFGHANISTAN.

1:27:29

ETCHED THOUGHTS BY THE ETCHING CLUB.

14:59

THE VETERAN'S RETURN.

7:06

"THE SICK CHILD.

4:31

"THE WAYSIDE.

20:46

A LOVE-CHASE—IN PROSE. - CHAPTER I.

11:41

CHAPTER II.

14:21

CHAPTER III.

12:12

Description

A vivid slice of mid‑nineteenth‑century thought arrives in this hour‑long listening experience, opening with a searing, if measured, meditation on the Afghan conflict. The narrator guides you through a landscape of moral outrage and haunting imagery, where the weight of battlefield tragedy is examined against the backdrop of imperial ambition and the uneasy conscience of an age.

Beyond the front‑page essay, the issue unfurls a lively assortment of prose: a spirited love chase, reflections on an ancient canal linking the Nile and the Red Sea, sketches of a proud Scottish cavalier, and folklore from Upper Lusatia. Each piece retains the ornate yet accessible voice of its time, offering listeners a window into Victorian curiosity, literary experimentation, and the era’s tangled blend of adventure and introspection. The collection feels like a curated tour through a bustling 1844 salon, inviting you to hear the debates, stories, and poetic musings that once filled the pages of a celebrated Edinburgh magazine.

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Details

Language

en

Duration

~9 hours (533K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-04-16

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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