
Preface.
Chapter One. - Shows that a Good Beginning may Sometimes be Followed by a Bad Ending.
Chapter Two. - Yoosoof’s “Black Ivory.”
Chapter Three. - Relates the Further Adventures of Harold and Disco, and Lifts the Curtain a Little Higher in Regard to the Slave-Trade.
Chapter Four. - In Which Our Heroes See Strange Sights at Zanzibar, and Resolve Upon Taking a Bold Step.
Chapter Five. - In which the Travellers Enjoy Themselves Extremely, and Disco Lillihammer Sees Several Astonishing Sights.
Chapter Six. - Describes Several New and Surprising Incidents, which must be Read to be Fully Appreciated.
Chapter Seven. - Enemies are Changed into Friends—Our Travellers Penetrate into the Interior of the Land.
Chapter Eight. - Relates Adventures in the Shire Valley, and Touches on One or Two Phases of Slavery.
Chapter Nine. - In Which a Savage Chief Astonishes a Savage Animal.
A vivid portrait of the East African slave trade unfolds through a blend of careful reportage and modest storytelling. The author draws on parliamentary records, missionary accounts and firsthand observations to create a tapestry that feels both scholarly and immediate. By weaving fact with just enough fictional thread to hold the narrative together, the work invites listeners to confront a historic injustice without sacrificing narrative drive.
The tale launches aboard the English brig Aurora, where a sudden leak threatens to drown both crew and cargo near a hostile shoreline. Young Harold, the hopeful supercargo promised adventure and profit, wrestles with the captain’s decision to abandon ship while the waters rise steadily. As the vessel teeters on the brink, his choices will set the stage for a gripping exploration of duty, danger, and the human cost of a trade that still haunts the continent.
Language
en
Duration
~8 hours (518K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Nick Hodson of London, England
Release date
2007-06-07
Rights
Public domain in the USA.

1825–1894
Best known for classic adventure stories such as The Coral Island, this Scottish writer drew on real travel and working life to give his tales energy, danger, and a strong sense of place. He wrote for young readers, but his stories still carry the pull of exploration and survival.
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