
BATAILLE DE DAMES - PAR SCRIBE ET LEGOUVÉ
WITH INTRODUCTION, NOTES, AND VOCABULARY - BY BENJ. W. WELLS, PH.D. (HARV.) FORMERLY PROFESSOR OF MODERN LANGUAGES, UNIVERSITY OF THE SOUTH.
INTRODUCTION
BATAILLE DE DAMES - UN DUEL EN AMOUR. - COMÉDIE EN TROIS ACTES - PAR - SCRIBE ET LEGOUVÉ.
PERSONNAGES.
BATAILLE DE DAMES.
ACTE PREMIER
ACTE DEUXIÈME
ACTE TROISIÈME
NOTES
Step into a sparkling French comedy of the early nineteenth century, where clever intrigue and rapid‑fire dialogue keep the stage humming. Created by two of the era’s most prolific dramatists, the piece showcases the masterful plotting of a renowned playwright alongside the subtle finesse of his collaborator. Set against a backdrop of bustling Parisian society, the work captures the lighthearted yet pointed humor that delighted audiences from the vaudeville houses to the grand Théâtre Français. Its brisk pace and witty misunderstandings make it an enduring example of the comédie‑vaudeville tradition.
Listeners will hear the signature sparkle of a playwright who turned every modest sketch into a box‑office success, paired with the nuanced touches only a true partnership can provide. The characters maneuver through romantic entanglements and social pretensions, offering a playful critique of the bourgeois world of the time. With its lively exchanges and elegant turn of phrase, the drama invites both newcomers and seasoned fans to enjoy a moment of classic theatrical charm.
Language
en
Duration
~3 hours (209K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charles Aldarondo, Keren Vergon, Wilelmina Mallière and PG Distributed Proofreaders
Release date
May 1, 2004
Rights
Public domain in the USA.

1791–1861
A giant of 19th-century French theater, he helped shape the tightly plotted "well-made play" and supplied librettos for some of the era's most popular operas. In his lifetime, his work dominated the Paris stage and traveled widely beyond France.
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1807–1903
A major figure in 19th-century French letters, this playwright and essayist moved easily between popular theater, literary criticism, and public lectures. He is especially remembered for the plays he wrote with Eugène Scribe and for his thoughtful writing on reading, education, and the lives of women.
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