
ATMÂ. - A ROMANCE - BY - A.C.F. - (CAROLINE AUGUSTA FRAZER)
ATMÂ
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
A lyrical prelude invites listeners into a meditation on the self, where the ancient notion of atmâ is wrestled with in poetry and philosophy. The voice is both scholarly and intimate, setting a tone that feels simultaneously timeless and grounded in the bustling streets of late‑nineteenth‑century Montreal. From this reflective opening emerges a story that reaches far beyond the city, tracing the legacy of a gentle teacher named Nanuk whose teachings about an invisible, all‑encompassing spirit sparked a fledgling community.
As the narrative turns toward the rise of the Khalsa, a young, charismatic leader named Govind appears, poised between devotion and daring. His boldness draws a passionate companion whose love is tested by the clash of faith, law, and encroaching conflict. The first act weaves romance with the early turbulence of a nascent brotherhood, promising a tale of heart and heritage that unfolds against a vivid historical backdrop.
Full title
Atmâ A Romance A Romance
Language
en
Duration
~2 hours (135K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Robert Cicconetti, Martin Pettit and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org))
Release date
2005-11-29
Rights
Public domain in the USA.
Best known for the 1891 novel Atmâ: A Romance, this little-known writer blended fiction with an interest in Indian philosophy and Sikh life. Her work has survived largely through digital archives, where modern readers can still discover its unusual setting and spiritual themes.
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