
audiobook
TRANSCRIBER’S NOTE
INTRODUCTION
ILLUSTRATIONS
CHAPTER I THE BEGINNING OF ANIMATED DRAWINGS
CHAPTER II THE GENESIS OF MOTION-PICTURES
CHAPTER III MAKING ANIMATED CARTOONS
CHAPTER IV FURTHER DETAILS ON MAKING ANIMATED CARTOONS
CHAPTER V ON MOVEMENT IN THE HUMAN FIGURE
CHAPTER VI NOTES ON ANIMAL LOCOMOTION
CHAPTER VII INANIMATE THINGS IN MOVEMENT
The book opens with a thoughtful look at how sight has shaped human knowledge, tracing a line from early pictorial representations through the breakthroughs of photography and the phonograph to the emergence of motion pictures. It explains how the new ability to capture movement sparked a fresh form of visual storytelling, while also acknowledging the medium’s long‑standing role in both entertainment and instruction. Early innovators such as Joseph Nicéphore Niépce are presented as stepping stones that led directly to the animated cartoons we recognize today.
From that foundation, the text moves into a clear, step‑by‑step guide to the craft of animation, especially the cut‑out technique that turns flat cardboard figures into lively screen actors. Illustrations walk the listener through arranging backgrounds, separating movable parts, and sequencing frames to create fluid motion. Along the way, the author weaves in the historical evolution of the art form and hints at its untapped potential for scientific and educational films, inviting a deeper appreciation of the process behind the moving drawings.
Language
en
Duration
~3 hours (207K characters)
Publisher of text edition
Project Gutenberg
Original publisher
New York: Charles Scribner's Sons, 1920.
Credits
Gísli Valgeirsson, A. Marshall and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2024-04-24
Rights
Public domain in the USA.

1868–1951
Best known for lively, practical books on drawing and early animation, this American artist wrote clear guides that helped generations of beginners learn by doing. His work sits at an interesting crossroads between newspaper illustration, cartooning, and the young film industry.
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