
ANG MÁNANAYAW - Ros. Almario - UNANG PAGKALIMBAG
Talaan ng Nilalaman - Aklatang Bayan. - SIMULA. - II. - III. - IV. - WAKAS.
Aklatang Bayan.
Ang Mánanayaw. - Jóvenes qué estais bailando, al infierno vais saltando.
SIMULA
II.
III.
IV.
WAKAS.
Set against the bustling streets of early‑twentieth‑century Manila, the story opens in a cramped house on Carriedo where a group of young voices begin to question the world around them. Through vivid, lyrical prose the narrator introduces a cast of restless characters—Pati, a daring dancer; Sawî, a shy yet determined student; and Tamád, an orphan haunted by loss—each wrestling with personal desires and the larger forces of politics, religion, and social expectation.
Their conversations swirl with satire and longing, as they gather in a makeshift “house of dancing” to confront the hypocrisies of their era. The narrative blends humor, folk wisdom, and sharp commentary, inviting listeners to feel the tension between tradition and change. As the first act unfolds, the characters’ fragile alliances hint at deeper conflicts yet to surface, promising a compelling exploration of identity, resistance, and the search for meaning in a rapidly shifting society.
Language
tl
Duration
~44 minutes (43K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Tamiko I. Camacho and PG Distributed Proofreaders. Produced from page scans provided by University of Michigan.
Release date
2005-01-25
Rights
Public domain in the USA.
1886–1933
A major voice in early 20th-century Tagalog literature, this Filipino writer also built a public life as a journalist, editor, nationalist, and city politician. His work is often remembered for its strong interest in nationalism, social life, and Filipino customs.
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