
AN ONLOOKER IN FRANCE - CHAPTER I - TO FRANCE (APRIL 1917)
CHAPTER II - THE SOMME (APRIL 1917)
CHAPTER III - AT BRIGADE HEADQUARTERS AND ST. POL (MAY-JUNE 1917)
CHAPTER IV - THE YPRES SALIENT (JUNE-JULY 1917)
CHAPTER V - THE SOMME IN SUMMER-TIME (AUGUST 1917)
CHAPTER VI - THE SOMME (SEPTEMBER 1917)
CHAPTER VII - WITH THE FLYING CORPS (OCTOBER 1917)
CHAPTER VIII - CASSEL AND IN HOSPITAL (NOVEMBER 1917)
CHAPTER IX - WINTER (1917-1918)
CHAPTER X - LONDON (MARCH-JUNE 1918)
A vivid firsthand sketchbook walks listeners through the chaotic summers of 1917, when a solitary observer found himself amid the mud‑caked trenches and bustling headquarters of the Western Front. From the first hesitant steps onto the Somme to the tense moments in the Ypres Salient, he captures the texture of daily life—soldiers sharing a cigarette, a tank rumbling across Pozières, and the fragile humor that flickered in the trenches.
The narrative unfolds with gentle reverence, never slipping into grand strategy but instead highlighting intimate scenes: a wounded comrade’s quiet bravery, the stark loneliness of a night watch, and the surprising kindness of French villagers. As the war draws to a close, the manuscript shifts to the bustling halls of the peace conference, offering a thoughtful glimpse of the world trying to stitch itself back together.
Interspersed with the author’s own drawings, each episode feels like a pause to look closely at a moment that might otherwise have been lost, inviting listeners to share in both the horror and the humanity of a defining era.
Language
en
Duration
~3 hours (181K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Geetu Melwani, Christine P. Travers, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
Dec 29, 2006
Rights
Public domain in the USA.

1878–1931
An Irish painter who became one of the great portraitists of the Edwardian age, he also brought a sharp, humane eye to the battlefields and negotiations of the First World War. His work moves easily between glittering society scenes, searching self-portraits, and unsettling images of war.
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