An Act in a Backwater

audiobook

An Act in a Backwater

by E. F. (Edward Frederic) Benson

EN·~5 hours·20 chapters

Chapters

20 total

AN ACT IN A BACKWATER - CHAPTER I

17:30

CHAPTER II

16:10

CHAPTER III

14:51

CHAPTER IV

17:01

CHAPTER V

16:52

CHAPTER VI

22:20

CHAPTER VII

15:02

CHAPTER VIII

9:48

CHAPTER IX

16:22

CHAPTER X

21:05
Show text

Description

In a sleepy county where the rhythms of life are dictated by the ticking clock of the club, Colonel Raymond strides through the heat of a June afternoon, a retired volunteer with a penchant for pomp and a heart that flutters at the sight of any woman. His flamboyant mustache, self‑styled “silver sabled” attire, and earnest attempts at grandeur—complete with imagined tales of Indian “tiffin”—paint a portrait of a man both earnest and absurd, beloved by some and dismissed by others as a harmless fool.

As the Colonel makes his ritual march to the Wroxton County Club, his interactions with the town’s residents—helping a nursery‑maid, teasing the plain‑spoken Miss Clifford, and anxiously awaiting a note for his noble relative—reveal a world of genteel social rituals and petty ambitions. The club’s smoking room buzzes with familiar faces, setting the stage for the Colonel’s latest quest for recognition among his “old cronies.”

Listeners are invited to step into this charming, slightly farcical slice of early‑20th‑century small‑town life, where humor and humanity collide in the Colonel’s well‑meaning, if misguided, endeavors.

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Details

Language

en

Duration

~5 hours (345K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

Jan 30, 2018

Rights

Public domain in the USA.

About the author

E. F. (Edward Frederic) Benson

E. F. (Edward Frederic) Benson

1867–1940

Best known for the deliciously sharp Mapp and Lucia novels, this English writer also produced ghost stories, biographies, memoirs, and a remarkable stream of popular fiction. His work moves easily between social comedy and the uncanny, which helps explain why readers still return to it.

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