Account of the Skeleton of the Mammoth A non-descript carnivorous animal of immense size, found in America

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Account of the Skeleton of the Mammoth A non-descript carnivorous animal of immense size, found in America

by Rembrandt Peale

EN·~52 minutes·1 chapter

Chapters

1 total
1

52:32

Description

This modest volume, presented to the President of the Royal Society in 1802, reads like a gentleman’s notebook of the early days of paleontology. Its author, a London proprietor, gathers scattered reports of enormous fossil remains unearthed across North America and Siberia, aiming to turn rumor into reliable observation. The tone is earnest, inviting curious minds to trace the evidence from the ground up.

The narrative begins with vivid accounts from early 18th‑century explorers who described gigantic teeth and thigh‑bones that seemed to belong to either a colossal human or an unknown beast. Detailed measurements—some bones allegedly seventeen feet long—are juxtaposed with the puzzling fact that the fragments crumbled to dust when exposed to air. By laying out these contradictory testimonies, the work sets the stage for a careful reconstruction of a creature that would later be recognized as the mammoth, inviting listeners to follow the early scientific detective work.

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Full title

Account of the Skeleton of the Mammoth A non-descript carnivorous animal of immense size, found in America A non-descript carnivorous animal of immense size, found in America

Language

en

Duration

~52 minutes (50K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2015-05-10

Rights

Public domain in the USA.

About the author

Rembrandt Peale

Rembrandt Peale

1778–1860

An early American portrait painter from the famous Peale family, he became especially known for his images of George Washington and other leading figures of the new republic. His work blends sharp observation with a polished neoclassical style shaped by study in Europe.

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