
A Trip to Scarborough - and - The Critic - by Richard Brinsley Sheridan
Contents
A Trip to Scarborough - A COMEDY - DRAMATIS PERSONÆ
ACT I. - SCENE I.—The Hall of an Inn.
ACT II. - SCENE I.—LOVELESS’S Lodgings.
ACT III. - SCENE I.—LORD FOPPINGTON’s Lodgings. Enter LORD FOPPINGTON, and LA VAROLE.
ACT IV. - SCENE I.—A Room in SIR TUNBELLY CLUMSY’S House.
ACT V. - SCENE I.—The Garden behind LOVELESS’s Lodgings.
The Critic
ACT I. - SCENE I.—A Room in DANGLE’s House. Mr. and MRS. DANGLE discovered at breakfast, and reading newspapers.
Set against the bustling backdrop of 18th‑century England, the play opens with a brisk prologue that lampoons the ever‑changing fashions and manners of the age. From the streets of Whitechapel to the promenades of Hyde Park, the verse playfully sketches a society in flux, where wigs, buckles and courtly affectations are as mutable as the tide. The humor is sharp yet affectionate, inviting listeners to smile at the absurdities of genteel life.
The action quickly moves to a seaside inn, where the blustering Tom Fashion and his quick‑witted servant Lory bicker over a mysterious portmanteau and a reluctant postilion. Their banter crackles with wordplay as they navigate petty grievances, mistaken intentions, and the quirks of turnpike travel. Through these lively exchanges, the comedy captures the foibles of ambition, pretension, and the simple pleasures of a holiday trip to Scarborough.
Listeners will enjoy the vivid character sketches—from the foppish Lord Foppington to the earnest Sir Tunbely—each delivering a distinct flavor of satire. The play’s brisk pacing and bright dialogue make it a delightful portrait of 18th‑century leisure, perfect for a short, entertaining listening experience.
Language
en
Duration
~3 hours (189K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charles Franks and the Online Distributed Proofreading Team
Release date
2004-12-01
Rights
Public domain in the USA.

1751–1816
A sparkling wit of the eighteenth-century stage, he wrote comedies whose sharp dialogue and social satire still feel lively today. He was also a major theatre manager and a prominent Whig politician, giving him an unusual life both onstage and in public life.
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