The School for Scandal

audiobook

The School for Scandal

by Richard Brinsley Sheridan

EN·~2 hours·25 chapters

Chapters

25 total
1

THE SCHOOL FOR SCANDAL - A COMEDY - A PORTRAIT1

0:03
2

BY R. B. SHERIDAN, ESQ.

0:36
3

THE TEXT OF THE SCHOOL FOR SCANDAL

2:55
4

THE SCHOOL FOR SCANDAL - ADDRESSED TO MRS. CREWE, - WITH THE COMEDY OF THE SCHOOL FOR SCANDAL

6:42
5

PROLOGUE WRITTEN BY MR. GARRICK

2:15
6

ACT I

0:00
7

SCENE I.—LADY SNEERWELL'S House

22:27
8

SCENE II.—SIR PETER'S House

5:05
9

ACT II

0:00
10

SCENE I.—SIR PETER and LADY TEAZLE - SIR PETER. Lady Teazle—Lady Teazle I'll not bear it.

7:06

Description

A sparkling comedy set amid the glittering drawing rooms of eighteenth‑century London, this play follows a circle of fashionable aristocrats whose lives are ruled by rumors and reputation. When a handsome young man returns to the city, his charms and ambitions become the perfect bait for a web of intrigue spun by sharp‑tongued ladies and scheming gentlemen. The dialogue crackles with wit, exposing the vanity and hypocrisy that drive the characters’ endless gossip.

At the heart of the story is a pair of lovers caught in a tangled mess of false accusations and mistaken identities, each trying to protect their honour while navigating the ever‑watchful eyes of society’s “school for scandal.” As the plot unfolds, the audience is treated to a lively parade of clever repartee, disguises, and surprising alliances that reveal just how fragile the veneer of respectability can be. The first act lays the groundwork for a delightful romp that both entertains and gently critiques the culture of public opinion.

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Details

Language

en

Duration

~2 hours (167K characters)

Publisher of text edition

Project Gutenberg

Credits

Text file produced by Gary R. Young HTML file produced by David Widger

Release date

1999-10-01

Rights

Public domain in the USA.

About the author

Richard Brinsley Sheridan

Richard Brinsley Sheridan

1751–1816

A sparkling wit of the eighteenth-century stage, he wrote comedies whose sharp dialogue and social satire still feel lively today. He was also a major theatre manager and a prominent Whig politician, giving him an unusual life both onstage and in public life.

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