
The narrator, a seasoned society clown of the late‑Victorian era, opens his memoir with a wry conversation about the perils of self‑portraiture. In a dimly lit dining room of 1888 he debates with a stranger whether publishing memories makes one an “ass,” setting a tone that is both self‑deprecating and proudly theatrical. His voice crackles with the same quick wit that once entertained aristocratic drawing‑rooms and bustling music halls.
Listeners will be treated to a series of short, colourful sketches that trace the clown’s life from his early days on the stage to his encounters with notable figures of the time. The anecdotes balance lively humor with moments of genuine feeling, offering a glimpse into the craft of clowning, the social mores of the period, and the occasional melancholy behind the makeup. All told, the memoir promises an engaging, light‑hearted journey that feels as comfortable in a quiet library as it does on a rattling railway carriage.
Language
en
Duration
~4 hours (268K characters)
Publisher of text edition
Project Gutenberg
Release date
2016-10-06
Rights
Public domain in the USA.

1847–1912
Best remembered for the comic roles he created in Gilbert and Sullivan’s original Savoy operas, he was one of Victorian England’s most versatile entertainers. He also wrote songs, sketches, and, with his brother Weedon, the enduring comic novel The Diary of a Nobody.
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