
E-text prepared by Sigal Alon, Martin Pettit, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto)
A SHORT HISTORYOF ENGLAND BYG. K. CHESTERTON
A SHORT HISTORY OF ENGLAND - I - INTRODUCTION
II. THE PROVINCE OF BRITAIN
III. THE AGE OF LEGENDS
IV. THE DEFEAT OF THE BARBARIANS
V. ST. EDWARD AND THE NORMAN KINGS
VI. THE AGE OF THE CRUSADES
VII. THE PROBLEM OF THE PLANTAGENETS
VIII. THE MEANING OF MERRY ENGLAND
This engaging work offers a fresh, down‑to‑earth perspective on England’s past, written by a keen observer rather than a specialist. The author explains why most popular histories have sidelined ordinary people, treating them as footnotes or misrepresenting whole eras—especially the medieval period. With a witty, conversational tone, the narrative challenges the familiar “whig” narratives and invites listeners to reconsider the stories that have shaped the nation’s identity.
Beginning with a lively critique of textbook portraits and caricatures of kings, the book promises vivid anecdotes drawn from contemporary literature and everyday life. Listeners will discover how the medieval world, far from being a dull backdrop, was a vibrant society whose customs, law‑making, and daily labor shaped later England. By foregrounding the experiences of craftsmen, merchants, and common folk, the author sets the stage for a history that feels both accessible and richly textured, promising a rewarding listening experience for anyone curious about the real roots of English culture.
Language
en
Duration
~5 hours (343K characters)
Publisher of text edition
Project Gutenberg
Release date
2007-03-25
Rights
Public domain in the USA.
Subjects

1874–1936
Best known for the Father Brown mysteries and for essays full of wit and surprise, this English writer brought big ideas to life in a lively, playful voice. His work ranges from detective fiction and literary criticism to Christian apologetics, and it still feels fresh because of the way it turns ordinary things upside down.
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