The Ballad of the White Horse

audiobook

The Ballad of the White Horse

by G. K. (Gilbert Keith) Chesterton

EN·~1 hours·12 chapters

Chapters

12 total
1

THE BALLAD OF THE WHITE HORSE

0:01
2

By G.K. Chesterton

0:01
3

Prefatory Note

3:35
4

DEDICATION

3:45
5

BOOK I. THE VISION OF THE KING

11:07
6

BOOK II. THE GATHERING OF THE CHIEFS

11:14
7

BOOK III. THE HARP OF ALFRED

15:28
8

BOOK IV. THE WOMAN IN THE FOREST

12:35
9

BOOK V. ETHANDUNE: THE FIRST STROKE

12:00
10

BOOK VI. ETHANDUNE: THE SLAYING OF THE CHIEFS

12:00

Description

This poetic narrative revisits the enduring legends surrounding a 9th‑century English monarch whose name has echoed through centuries. Drawing on folk tales of a white‑horse valley, a lone king playing a harp among his foes, and humble encounters with ordinary folk, the story weaves history and imagination into a lively ballad. The opening frames these traditions as the heart of the king’s legacy, inviting listeners to hear how myth can shape a nation’s memory.

The work’s rhythm and vivid language bring the era’s battles, courtly intrigue, and quiet moments to life without demanding scholarly precision. It celebrates the clash between Christian civilization and invading forces, while also hinting at the mixed cultural roots that underlie the legend. Listeners will find a blend of humor, reverence, and timeless reflection that makes the old tales feel freshly relevant.

Through its lyrical storytelling, the piece encourages you to consider how stories survive long after the facts fade, and how a single figure can embody a people’s hopes and fears. It’s an invitation to journey back to a time when kings walked forests alone and legends were born on the wind.

Details

Language

en

Duration

~1 hours (107K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Paul Bonner, Martin Ward, and David Widger

Release date

1999-04-01

Rights

Public domain in the USA.

About the author

G. K. (Gilbert Keith) Chesterton

G. K. (Gilbert Keith) Chesterton

1874–1936

Best known for the Father Brown mysteries, he was one of England’s most lively essayists and critics, famous for turning serious ideas into witty, surprising prose. His work ranges from detective stories and poems to books on faith, politics, and literature, all marked by a love of paradox and common sense.

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