A Practical Novelist

audiobook

A Practical Novelist

by John Davidson

EN·~2 hours·12 chapters

Chapters

12 total
1

Produced by C. P. Boyko

0:12
2

CHAPTER I - BAGGING A HERO

15:55
3

CHAPTER II - THE SUITOR AND THE SUED

20:46
4

CHAPTER III - ON THE ROAD

6:40
5

CHAPTER IV - A HEAVY FATHER

9:58
6

CHAPTER V - THE ART OF PROPOSING

20:18
7

CHAPTER VI - LEE ENJOYS HIMSELF

10:56
8

CHAPTER VII - THE UNEXPECTED

12:38
9

CHAPTER VIII - BRISCOE SEES THINGS IN A NEW LIGHT

6:29
10

CHAPTER IX - DEMPSTER APOLOGISES

15:35

Description

In a cramped Glasgow flat, Maxwell Lee dreams of turning his failing literary career into something tangible, while his wife Caroline keeps the household afloat with relentless sewing, and her brother Peter Briscoe watches the drama unfold with bemused cynicism. Tired of endless rejections and the stale conventions of the novel, Lee proposes a radical experiment: instead of merely writing, they will stage a story in real life, turning fiction into action. The trio’s conversation crackles with a mix of desperation and mischievous optimism, setting the stage for a daring venture that blurs the line between author and performer.

Their first move is audacious—Peter arrives with a lifeless-looking stranger, proclaiming that he has “bagged a hero” for Lee’s new creation. The stranger, a millionaire unexpectedly thrust into their parlour, becomes the unwitting protagonist of a plot that promises intrigue, humor, and the messy consequences of turning imagination into reality. As the characters grapple with the absurdity of their plan, listeners are invited into a witty, early‑19th‑century satire about the lengths artists will go to bring their stories to life.

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Details

Language

en

Duration

~2 hours (149K characters)

Publisher of text edition

Project Gutenberg

Release date

2011-02-18

Rights

Public domain in the USA.

Subjects

About the author

John Davidson

John Davidson

1857–1909

A Scottish poet, playwright, and novelist remembered above all for his vivid ballads, he brought city life, modern work, and restless ideas into late Victorian poetry. His writing could be musical and dramatic at once, which helped make pieces like "Thirty Bob a Week" stand out.

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