
THE BLACK CAT. - A PLAY IN THREE ACTS BY JOHN TODHUNTER. FIRST ACTED AT THE INDEPENDENT THEATRE IN LONDON. - LONDON: HENRY AND CO. 93, ST. MARTIN'S LANE, W.C. 1895 - Printed by Hazell, Watson, & Viney, Ld., London and Aylesbury.
Preface.
OPERA COMIQUE, - STRAND, W.C. - THE INDEPENDENT THEATRE. - Founder and Sole Director, J.T. GREIN. - Third Season, Fifteenth Performance. - FRIDAY, 8th December, 1893, - THE BLACK CAT,
JOHN TODHUNTER. - DRAMATIS PERSONÆ.
The Black Cat.
Act I.
Act II.
Act III.
A witty, sharply observed drama opens with a crisp exchange between a skeptical husband and his restless wife, who finds herself caught between the expectations of respectable society and a lingering, unsettling curiosity. Their conversation, tinged with irony and a pinch of dread, quickly draws listeners into a household where appearances mask deeper anxieties. The playwright’s preface hints at a deliberate experiment: the piece leans on character and dialogue rather than sensational plot twists, inviting the audience to linger on the subtleties of everyday tension.
As the first act unfolds, a seemingly ordinary evening is disrupted by the arrival of an enigmatic black cat, whose presence unsettles the domestic equilibrium and sparks whispered speculation. The animal becomes a silent catalyst, reflecting the characters’ hidden fears and the societal pressures that loom over them. With a tone that balances dark humor and emerging melancholy, the opening sets the stage for a thoughtful exploration of duty, desire, and the uneasy shadows that linger behind polite conversation.
Language
en
Duration
~2 hours (117K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Michael Ciesielski, Cori Samuel and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2005-12-04
Rights
Public domain in the USA.

1839–1916
A doctor by training and a writer by calling, this Dublin-born poet and playwright moved through medicine, criticism, and the literary circles of late Victorian London. His work helped link Irish literary culture with the wider fin-de-siècle world, from lyrical verse to stage drama.
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