XXXII Ballades in Blue China [1885]

audiobook

XXXII Ballades in Blue China [1885]

by Andrew Lang

EN·~53 minutes·37 chapters

Chapters

37 total
1

Transcribed from the 1885 Kegan Paul, Trench & Co. edition by David Price, email ccx074@pglaf.org

0:11
2

A BALLADE OF XXXII BALLADES.

1:05
3

XXXII BALLADES IN BLUE CHINA

1:38
4

BALLADE TO THEOCRITUS, IN WINTER.

1:08
5

BALLADE OF CLEOPATRA’S NEEDLE.

1:03
6

BALLADE OF ROULETTE.

1:07
7

BALLADE OF SLEEP.

1:09
8

BALLADE OF THE MIDNIGHT FOREST.

1:43
9

BALLADE OF THE TWEED.

1:07
10

BALLADE OF THE BOOK-HUNTER.

1:05

Description

Stepping into this modestly bound volume feels like opening a quiet tea‑room for the mind. The poet offers thirty‑two ballades stitched in a gentle blue‑china pattern that promises a brief escape from daily clatter. The opening verses set a tone of thoughtful consolation, inviting listeners to let worries dissolve in measured rhyme.

The pieces wander far without abandoning the intimate voice of the writer. One moment you hear a pastoral tribute to Theocritus on a Sicilian shore, the next a witty satire on roulette, then an imagined conversation with Cleopatra’s Needle in London fog. Classical allusions sit beside playful observations of golf, rabbits and a summer term, all in the disciplined ballade form.

Because each poem stands alone, the collection offers short, reflective pauses perfect for a half‑hour listening break. The language balances gentle humor with modest reverence for history, so the experience feels like a friendly chat with a well‑read companion.

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Details

Language

en

Duration

~53 minutes (51K characters)

Publisher of text edition

Project Gutenberg

Release date

2016-02-09

Rights

Public domain in the USA.

Subjects

About the author

Andrew Lang

Andrew Lang

1844–1912

Best remembered for gathering fairy tales into the much-loved "Color Fairy Books," this Scottish writer also moved easily between poetry, criticism, history, translation, and folklore. His work helped bring old stories to new readers and still shapes how many people first meet classic tales.

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