
audiobook
by J. Berg (Joseph Berg) Esenwein, Arthur Leeds
THE WRITER'S LIBRARY EDITED BY J. BERG ESENWEIN - REVISED EDITION
List of Illustrations
CHAPTER I - WHAT IS A PHOTOPLAY?
CHAPTER II - WHO CAN WRITE PHOTOPLAYS?
CHAPTER III - PHOTOPLAY TERMS
CHAPTER IV - THE PHOTOPLAY SCRIPT: ITS COMPONENT PARTS
CHAPTER V - A SAMPLE PHOTOPLAY FORM
CHAPTER VI - THE MECHANICAL PREPARATION OF THE SCRIPT
CHAPTER VII - THE TITLE
CHAPTER VIII - THE SYNOPSIS OF THE PLOT
This guide opens by defining a photoplay as a story told primarily through visual action, with only occasional words to clarify what the audience might miss. It draws a clear line between narrative-driven pictures and other film forms—educational reels, scenic shorts, or pure documentaries—showing why a strong plot is essential for true cinematic storytelling. The author also places the photoplay in its early‑20th‑century context, explaining how theatres once filled entire programs with these dramatic reels, much like a fiction magazine supplies short stories for readers.
The rest of the book breaks the craft down into manageable pieces, from outlining a compelling premise to arranging scenes across reels. Detailed illustrations from real studios demonstrate set construction, lighting, and actor placement, while practical advice covers intertitle wording, pacing, and the art of visual exposition. Whether you’re a budding screenwriter or a film‑history enthusiast, the text offers a hands‑on look at turning a simple idea into a polished, marketable manuscript for the silent screen.
Language
en
Duration
~10 hours (586K characters)
Publisher of text edition
Project Gutenberg
Release date
Mar 3, 2006
Rights
Public domain in the USA.
Subjects

1867–1946
A prolific early 20th-century editor and writing teacher, he helped turn the craft of authorship into something practical and teachable. His books and anthologies reached aspiring writers, students, and general readers alike.
View all booksA little-known early 20th-century writer, he moved between pulp fiction and silent-film instruction, leaving behind a small but intriguing body of work. He is best remembered today for a handful of weird tales and for co-authoring a practical guide to writing for the screen.
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