Whom the Gods Destroyed

audiobook

Whom the Gods Destroyed

by Josephine Daskam Bacon

EN·~3 hours·9 chapters

Chapters

9 total
1

Transcriber's Notes:

1:00
2

WHOM THE GODS DESTROYED

25:32
3

A WIND FLOWER

37:06
4

WHEN PIPPA PASSED

31:18
5

THE BACKSLIDING OF HARRIET BLAKE

24:43
6

A BAYARD OF BROADWAY

26:07
7

A LITTLE BROTHER OF THE BOOKS

29:26
8

THE MAID OF THE MILL

28:34
9

THE TWILIGHT GUESTS

15:53

Description

A wandering narrator finds herself on a seaside boardwalk, where a staggering, drunken stranger performs a wild, defiant dance in front of an unsuspecting cottage. The scene is both comic and eerie, hinting at a larger belief that the gods themselves punish those who meddle with human hearts—sometimes by driving them to madness, sometimes simply to the bottle. The narrator’s sharp, slightly sarcastic voice lenses the stranger’s rant about a local woman’s clumsy piano playing, offering a glimpse of her own Bohemian sensibilities and a family dynamic that favors unconventional curiosity over strict propriety.

Through witty dialogue and vivid descriptions, the story sets up a clash between lofty mythic judgment and the messy, everyday lives of ordinary people. As the drunk man’s unsteady logic spirals, the narrator’s curiosity pulls her deeper into his world, promising encounters that will test the limits of sanity, destiny, and the thin line between reverence and ridicule.

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Details

Language

en

Duration

~3 hours (210K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Carlos Colon, the Princeton University and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2019-10-15

Rights

Public domain in the USA.

About the author

Josephine Daskam Bacon

Josephine Daskam Bacon

1876–1961

A sharp, versatile American writer, she brought lively female protagonists and a keen eye for everyday social pressures to fiction, poetry, and books for young readers. Her work moves easily from wit and mystery to thoughtful takes on women's lives.

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