Josephine Daskam Bacon

author

Josephine Daskam Bacon

1876–1961

A versatile American writer of novels, stories, poetry, and essays, she was especially known for putting women and girls at the center of her work. Her books range from lively college stories and family satire to mystery and more serious reflections on modern life.

15 Audiobooks

A Reversion To Type

A Reversion To Type

by Josephine Daskam Bacon

The Strange Cases of Dr. Stanchon

The Strange Cases of Dr. Stanchon

by Josephine Daskam Bacon

In The Valley Of The Shadow

In The Valley Of The Shadow

by Josephine Daskam Bacon

While Caroline Was Growing

While Caroline Was Growing

by Josephine Daskam Bacon

A Philanthropist

A Philanthropist

by Josephine Daskam Bacon

Mrs. Dud's Sister

Mrs. Dud's Sister

by Josephine Daskam Bacon

Julia The Apostate

Julia The Apostate

by Josephine Daskam Bacon

In the Border Country

In the Border Country

by Josephine Daskam Bacon

An Idyll of All Fools' Day

An Idyll of All Fools' Day

by Josephine Daskam Bacon

Whom the Gods Destroyed

Whom the Gods Destroyed

by Josephine Daskam Bacon

The courting of Lady Jane

The courting of Lady Jane

by Josephine Daskam Bacon

Poems

Poems

by Josephine Daskam Bacon

About the author

Born in Stamford, Connecticut, in 1876, Josephine Dodge Daskam Bacon studied at Smith College and began publishing at the turn of the 20th century. She wrote in several forms—fiction, poetry, juvenile mysteries, and nonfiction—and built a reputation as an author with a sharp eye for everyday relationships and social expectations.

Much of her work focused on female protagonists and on questions about women’s lives, which helped give her writing a distinctive place in American popular literature of her era. She is also remembered for books such as Smith College Stories and The Memoirs of a Baby, works that showed her gift for humor, observation, and an engaging narrative voice.

Bacon continued writing for decades and remained a notably wide-ranging author until late in life. She died in 1961, leaving behind a body of work that reflects both the entertainment and the changing concerns of American readers in the early 20th century.