
A timeless exploration of how words shape the world, this work begins by likening literature to the very forces that order heaven and earth. It argues that the essence of writing springs from the harmony of the cosmos, the rhythm of mountains and rivers, and the innate spirit that connects humanity to the divine. The opening paints a vivid picture of language as a living pattern that mirrors natural order, suggesting that any true expression must arise from the same balanced principles.
The treatise then moves to a systematic study of literary craft, outlining how different forms—from poetry and song to prose and historiography—reflect and sustain moral and philosophical ideas. Drawing on the Six Classics and early mythic symbols, it offers concrete criteria for judging style, clarity, and ethical weight. Readers discover why generations of scholars have turned to this text for guidance, seeing it as a bridge between ancient wisdom and the art of composition that still resonates today.
Language
zh
Duration
~50 minutes (48K characters)
Publisher of text edition
Project Gutenberg
Release date
2007-12-11
Rights
Public domain in the USA.
A fifth-century Chinese writer, critic, and Buddhist monk, he is best known for The Literary Mind and the Carving of Dragons, a landmark work of literary theory. His writing helped shape how later generations thought about literature, style, and criticism in China.
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