Waynflete

audiobook

Waynflete

by Christabel R. (Christabel Rose) Coleridge

EN·~7 hours·35 chapters

Chapters

35 total
1

Prologue. - In 1785.

9:00
2

Part 1, Chapter I. - The Family.

13:01
3

Part 1, Chapter II. - The House.

11:47
4

Part 1, Chapter III. - The Inheritance.

7:22
5

Part 1, Chapter IV. - Hereditary Foes.

7:13
6

Part 1, Chapter V. - Interesting.

12:13
7

Part 1, Chapter VI. - Good Comrades.

13:35
8

Part 1, Chapter VII. - The Cupboard in the Wall.

15:31
9

Part 1, Chapter VIII. - The Skeleton in the Cupboard.

9:25
10

Part 1, Chapter IX. - “Go Back, My Lord, Across the Moor.”

11:32

Description

The story opens on a storm‑swept night in 1785, inside the dimly lit, oak‑paneled drawing‑room of Waynflete Hall. A proud squire, his brother the parish vicar, and the visiting gentleman Mr Maxwell sit around a card table, their conversation heavy with old grudges and the looming absence of the squire’s heir, Guy. As the wind howls through the Yorkshire moors and a phantom horse’s clatter seems to echo the past, the brothers cling to prayer and a worn red book, hoping the night will bring their wayward son back before the clock strikes midnight.

Through richly detailed prose the novel paints a portrait of landed gentry wrestling with honor, betrayal, and the weight of family expectations. The tension between duty and personal failure is palpable, and the looming sense of supernatural foreboding adds a gothic edge. Listeners are drawn into a world where the crackling fire and whispered prayers mask deeper, unresolved secrets waiting to surface.

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Details

Language

en

Duration

~7 hours (416K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Nick Hodson of London, England

Release date

2013-07-08

Rights

Public domain in the USA.

About the author

CR

Christabel R. (Christabel Rose) Coleridge

1843–1921

A Victorian novelist and magazine editor from the Coleridge literary family, she wrote fiction for adults and young readers while helping shape reading for girls. Her work often blends storytelling with the moral and religious concerns of her time.

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