Vidyāpati: Bangīya padābali; songs of the love of Rādhā and Krishna

audiobook

Vidyāpati: Bangīya padābali; songs of the love of Rādhā and Krishna

by Vidyāpati Thākura

EN·~2 hours·20 chapters

Chapters

20 total
1

VIDYĀPATI - VIDYĀPATI: BANGĪYA PADĀBALI

0:33
2

INTRODUCTION.

19:50
3

KRISHNA PŪRBBARĀGA - I.

8:14
4

RĀDHĀ BAYASANDHI - XV.

3:38
5

RĀDHĀ PŪRBBARĀGA - XXI.

2:30
6

SAKHĪ-SHIKSHĀ-BACANĀDI - XXV.

4:20
7

PRATHAMA MILNA - XXXIII.

10:34
8

ABHISĀRA - LI.

3:50
9

VASANTA LĪLĀ - LVI.

2:38
10

MĀNA - LX.

9:57

Description

A lyrical tapestry unfolds as the poet sings the timeless courtship of Krishna and Radha, casting divine love in the language of village folk. Written in the early‑fourteenth century by Vidyapati, a bard whose verses bridged the worlds of peasants and princes, the songs blend devotional longing with the ordinary rhythms of daily life. The collection captures the spontaneous joy and tender yearning that animated the devotional movements of medieval Hindustan, offering listeners a glimpse of a culture where worship and romance were inseparable.

The English translation preserves the music of the original Maithili dialect while providing clear notes that illuminate unfamiliar customs and symbolism. Accompanying illustrations drawn from historic Indian paintings bring each episode to vivid life, guiding the ear through the poetic scenery. Together, the verses and commentary invite modern listeners to experience a spiritual love that feels both intimate and universal, echoing across centuries of Bengali and broader Indian literature.

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Details

Language

en

Duration

~2 hours (136K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by James Simmons

Release date

2011-11-30

Rights

Public domain in the USA.

About the author

Vidyāpati Thākura

Vidyāpati Thākura

d. 1448

A foundational voice in Maithili literature, this medieval poet is remembered for songs that move easily between devotion and desire. His writing helped bring Maithili into literary prominence and left a deep mark on eastern Indian poetry.

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