
"I seen he eye light on her as she came down the steps smilin'."
UNC' EDINBURG - A PLANTATION ECHO
BY THOMAS NELSON PAGE - ILLUSTRATED BY B. WEST CLINEDINST
CHARLES SCRIBNER'S SONS NEW YORK, 1897
LIST OF ILLUSTRATIONS - "I seen he eye light on her as she came down the steps smilin'."...... Frontispiece. - "I got de ker'idge heah for you." - "We come 'way next mornin'." - "Mars George lead her out on de porch." - "Hit begin so low evybody had to stop talkin'." - "Miss Charlotte she 'mos' 'stracted." - "An' Marse George he ain' answer."
"I got de ker'idge heah for you."
"We come 'way next mornin'."
"Marse George lead her out on de porch."
"Hit begin so low ev'ybody had to stop talkin'."
"Miss Charlotte she 'mos 'stracted."
A weary traveler arrives on a mud‑slick Virginia road on Christmas Eve, his only companion a ramshackle carriage pulled by a man called Uncle Edinburg. The driver’s thick dialect and larger‑than‑life personality turn the journey into a vivid tableau of Southern folklore, as he recounts the strange, ragged figure who greeted him with a cedar‑staffed whip and a battered letter‑bag. Their banter, peppered with humor and the lingering echo of a plantation’s past, draws the listener into a world where memory and myth intertwine.
Uncle Edinburg spins tales of his childhood alongside Marse George, a youthful companion who grew from schoolboy to legendary figure in the community. He recalls daring hunts, daring swims, and the shared hardships that forged their bond, all while the landscape around them is painted in gritty, authentic detail. The narrative promises a rich, atmospheric glimpse into a bygone era, inviting listeners to linger over the sounds of creaking wheels, distant laughter, and the distant promise of a Christmas celebration on the plantation.
Language
en
Duration
~57 minutes (55K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Al Haines
Release date
2010-10-01
Rights
Public domain in the USA.

1853–1922
Best known for stories that helped shape popular ideas of the Old South, this Virginia writer also moved through public life as a lawyer and diplomat. His work was widely read in the late 19th and early 20th centuries and still offers a revealing window into the culture and myths of its era.
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