
Contents
TURNER’S SKETCHES AND DRAWINGS
LIST OF PLATES
TURNER’S SKETCHES AND DRAWINGS - INTRODUCTORY
CHAPTER I SEVEN YEARS’ APPRENTICESHIP—1787-1793
CHAPTER II THE TOPOGRAPHICAL DRAUGHTSMAN—1793-1796
CHAPTER III THE SUBLIME—1797-1802
CHAPTER IV THE SEA-PAINTER—1802-1809
CHAPTER V ‘SIMPLE NATURE’—1808-1813
CHAPTER VI THE ‘LIBER STUDIORUM’
A richly illustrated study, this volume walks listeners through J.M.W. Turner’s formative years as a sketch‑artist, offering more than a hundred reproductions of his watercolours, pen drawings and early studies. It opens with his seven‑year apprenticeship, showing how the young Turner moved from simple outlines to an ever‑more subtle handling of light and shade. The narrative is anchored by vivid examples such as the Pass of Faïdo and his early topographical sketches, giving a clear picture of his evolving technique.
The book then follows Turner's career in tidy chronological sections—his explorations of the sublime, his pioneering marine scenes, the pastoral works that reveal a quieter side of his vision, and the ambitious Liber Studiorum project that sought to codify landscape painting. Later chapters trace his mature period, noting his growing preoccupation with colour, atmosphere and the seeds of Impressionism that would sprout after his death.
Readers come away with a deeper appreciation of how Turner turned ordinary observation into a new language of feeling, making this guide an essential companion for anyone keen to understand the foundations of modern art.
Language
en
Duration
~6 hours (388K characters)
Publisher of text edition
Project Gutenberg
Credits
Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2021-01-16
Rights
Public domain in the USA.
1866–1939
Best known as a leading early scholar of J. M. W. Turner, this British art historian and museum professional helped shape how Turner’s work was studied and catalogued. His writing reflects a close, careful eye for drawings, prints, and the history behind them.
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