
audiobook
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TRATADO DO PROCESSO CRIMINAL PREPARATORIO OU D'INSTRUCÇÃO E PRONUNCIA. - LOANDA. IMPRENSA DO GOVERNO. 1850.
CAPITULO I. - Da noticia e participação dos delictos.
CAPITULO 2º. - Do Corpo de Delicto.
CAPITULO III. - Da Querela.
CAPITULO IV. - Do Summario das Querelas.
CAPITULO V. - Da Pronuncia.
CAPITULO VI. - Da Prisão.
CAPITULO VII. - Das Perguntas.
A mid‑nineteenth‑century legal handbook from the Portuguese administration in Luanda offers a systematic overview of the early stages of criminal procedure. It begins by explaining how any citizen, witness, or even the offended party may bring a public crime to the attention of the courts, detailing the roles of ordinary judges, elected magistrates, and the public prosecutor. The text stresses the need for written or properly recorded verbal statements, complete with names, addresses and occupations of witnesses, and outlines the formal “auto de participação” that becomes the official record of the complaint.
The second section turns to the “corpo de delito,” the core investigative dossier that must be assembled before a case can proceed. It differentiates between permanent crimes that leave physical traces—such as homicide or arson—and transient offenses that rely on witness testimony, describing the required ocular inspections and depositions. By laying out the procedural obligations of administrative authorities and the Supreme Court, the work illustrates how a disciplined record‑keeping system underpinned the colonial justice system.
Language
pt
Duration
~1 hours (83K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Loanda: Imprensa Do Governo 1850
Credits
Produced by Rita Farinha and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by National Library of Portugal (Biblioteca Nacional de Portugal).)
Release date
2007-10-05
Rights
Public domain in the USA.
Subjects
This work comes from an anonymous or unidentified writer, which adds a little mystery before the story even begins. When no author can be confirmed, the focus shifts fully to the words and the world they create.
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