
audiobook
Transcriber’s Note: The reader may wish to be warned that this book contains language which is nowadays considered racially offensive.
LIST OF FULL-PAGE ILLUSTRATIONS
TOLD BY UNCLE REMUS
THE REASON WHY
I WHY MR. CRICKET HAS ELBOWS ON HIS LEGS
II HOW WILEY WOLF RODE IN THE BAG
III BROTHER RABBIT’S LAUGHING-PLACE
IV BROTHER RABBIT AND THE CHICKENS
V LITTLE MISTER CRICKET AND THE OTHER CREATURES
VI WHEN BROTHER RABBIT WAS KING
Uncle Remus returns to the quiet rhythm of the old plantation, where his voice has long carried the mischief of Brer Rabbit, the cleverness of Brer Fox, and the vibrant chatter of the cotton‑field folk. His tales, rendered in the sing‑song dialect of the South, blend humor with a keen observation of human folly, all while the page comes alive with full‑size illustrations that capture the bustling world of the stories. Listeners are invited into a tradition where every animal and every saying carries a lesson wrapped in laughter.
In this newest collection, Remus finds his audience shifting as a fragile, thoughtful grandson arrives, his delicate manners contrasting sharply with the boisterous boys of previous generations. The old storyteller watches the child’s quiet curiosity with a mix of affection and wonder, pondering how his age‑old tales might touch a mind so different from the ones that first heard them. The opening scenes set the stage for a gentle exploration of memory, change, and the enduring power of oral folklore.
Language
en
Duration
~4 hours (276K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2017-10-03
Rights
Public domain in the USA.

1848–1908
Best known for bringing the Brer Rabbit and Uncle Remus tales to a wide audience, this Georgia writer blended newspaper work with a deep interest in storytelling and folklore. His books became enormously popular in the late 19th century and still shape conversations about American literature and cultural memory.
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